3 way split picture of dione compressor hardware aligned with plugin with same settings and mastering engineer on bottom

Hybrid mixing and Mastering upgrades – part 5 – Wes Audio Dione

Wes audio dione – not on the list – but a magic find Checking out Facebook gear trading groups can be dangerous for your wallet. But sometimes you can really get a good deal. I was scrolling through one of my favourite groups when I spotted a Cranborne Audio R8 500 series rack unit —

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500 series rack showing, wes audio hyperion as first in chain, wes audio dione as second in the chain. followed by IGS rubber bands 500 ME, then Elysia Xmax 500

Hybrid mixing and Mastering upgrades – part 4 – 500 series Chassis

A break from the processors — let’s talk chassis This week I’m taking a break from the 500-series processor units and talking about the chassis that hold them all together. I’ve got two Cranborne Audio R8 USB units and a Rupert Neve Designs R10. Each one serves a different purpose, and the more I use

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IGS rubber band 500 ME next to Elysia Xmax 500

Hybrid Mixing And Mastering upgrade part 3 – choosing processors

The First Two Modules in My Hybrid Chain Every hybrid studio starts with a blank rack. The first module you slide in sets the tone for everything that follows. So which one do you reach for first? For me, the criteria were straightforward. I wanted something with a distinct character, but versatile enough to earn

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Mastering Engineer Allan from Steam Mastering in front of his console.

Studio Upgrades part 2 – Setting up for Hybrid

In my last post, I talked about my decision to experiment with a hybrid analog and digital mastering setup. Before buying any racks or modules, the first step is planning how you’ll integrate analog gear into your current workflow. Can you do it with the interface you already have? And are you mixing, mastering, or

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Construction has Begun on our Premium Mastering Facility

Premium Mastering Facility for Steam Mastering reaches construction phase After many months of design and planning, and then re-design, the renovations on our future home have begun. Since November 2025, Allan has been using a temporary setup in a residential address to complete all mastering work. That premises was selected carefully to ensure that monitoring

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Stop Recording in 16 bit Now

What’s the deal with 16 bit audio – CD’s still sound good in 2023 / From a listening perspective there is nothing wrong with 16 bit audio. So why do we recommend recording and mixing in 24 bit audio formatsA fairly reasonable comparison in the Guardian was posted in 2021. https://www.theguardian.com/technology/2014/aug/21/mp3-cd-24-bit-audio-music-hi-res 16 bit audio provides

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