Analog Mastering Hardware Updates
Journey into Hybrid Mastering Part 1 – Overview of analog studio upgrades
While, it is definitely possible to master entirely in the digital realm, a year ago, I decided to test the waters and expand into a hybrid setup. Seeing years of reviews inspired me to try it out.
My techno production background was almost exclusively using hardware, and while mastering “In The Box” is very efficient, I wanted to see if this would add something. It’s one year, since biting the bullet and ordering my first pieces of analog gear for mastering.
The studio room design was done, and I had to make a decision whether I wanted furniture that could house some rack gear or not, before ordering a console desk.
500 Series modules – a good starting place
I decided with the releases and reviews of ever improving 500 series gear, this would be a way to test the workflow. There is room in the studio to add a couple of side pods, but I wanted a fairly compact workstation; then there was availability and budget to consider.
First modules and I/O
I very quickly found that the Elysia Xmax was a tool like nothing I’d experienced and while not great for everything, the IGS Rubber BANDS ME often stood in for a Pultec Style EQ plugin.
It’s not only the modules I had to consider, but the racks, cables and, of course the conversion path. I’d been using the SMSL DAC. It was time to get serious with an RME ADI-2 SE 4 that added an incredibly high quality AD conversion path.
Monitoring – Time for serious Mastering Speakers
I upgraded to the amazing PDP MUM-10’s. While, I had been working with great success on the KALI IN8’s with SMSL SB2000pro subs, the new room did expose some issues in bass crossover.
The PDP Mum 10’s have so far been a great decision, removing the need for separate subs, but far improving the transient response across the spectrum.
Analog Hybrid working – is it bliss?
Overall, the upgrades aren’t just enjoyable, but I’ve created a semi-flexible mastering chain that covers about 80% of my requirements. Some of the devices add colour, others add depth or stereo image improvements, and some are just clean and reliable.
I don’t know if it’s due to the modules quality themselves or moving into the analog realm, but it seems to be easier to manage mid range and high end – without getting too harsh.
This along with the much improved clarity of the speakers and the room, make it easier to identify issues and draw attention to the beautiful elements of the music that help focus the narrative of the musical piece, often with very small adjustments.
The design of the setup can also lend itself to using some really nice pieces of gear in the mixing stage (with a bit of room to grow). I’ve mixed my own music with this gear, and I’m excited to help others with their mixes as well.
If you’re interested in how my skills and passion for music can combine with my hardware to help you mix or master your creation, then let’s have a chat now.
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